New PDF release: A Companion to Chinese Art

By Martin J. Powers, Katherine R. Tsiang

ISBN-10: 1444339133

ISBN-13: 9781444339130

Exploring the heritage of artwork in China from its earliest incarnations to the current day, this accomplished quantity comprises dozen newly-commissioned essays spanning the theories, genres, and media relevant to chinese language artwork and conception all through its history.

  • Provides a great number of essays selling a comparative knowing of China’s lengthy list of cultural production
  • Brings jointly a world staff of students from East and West, whose contributions diversity from an outline of pre-modern thought, to these exploring calligraphy, superb portray, sculpture, add-ons, and more
  • Articulates the course during which the sector of chinese language artwork heritage is relocating, in addition to offering a roadmap for historians attracted to comparative learn or theory
  • Proposes new and revisionist interpretations of the literati culture, which has lengthy been a major staple of chinese language paintings history
  • Offers a wealthy perception into China’s social and political associations, non secular and cultural practices, and highbrow traditions, along chinese language paintings background, concept, and criticism

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Additional resources for A Companion to Chinese Art

Example text

Some Thoughts on the History and Post-History of Chinese Painting. Archives of Asian Art, 55: 17–33. Chicago Cultural Studies Group (1992). Critical Multiculturalism. Critical Inquiry, 18(3): 530–555. Clunas, C. (1991). Superfluous Things: Material Culture and Social Status in Early Modern China. Cambridge: Polity. Cohen, P. A. (1984). Discovering History in China: American Historical Writing on the Recent Chinese Past. New York: Columbia University Press. Cohen, P. A. (1993). Cultural China: Some Definitional Issues.

At the same time the reclusive ideal in garden design could be seen in small private gardens, Buddhist and Daoist temples, as well as palatial villas. The growth of scholar-officials as a social group gave rise to many private gardens suitable for quiet contemplation and reclusion. During the Song period, when scholarly artistic production drew increasingly on landscape and natural elements as expressions of inner qualities of character, the literati created miniature landscape gardens as a form of self-representation.

In both Europe and China, spending at court could get out of control, and building sprees provoked both criticisms of irresponsibility and plans to retrench. Those working for courts faced similar circumstances. Compared to artists working privately, painters working for courts had such advantages as steady employment, flexible budgets, access to important art in the possession of the court, and the prestige that comes with royal recognition. The social space of the court could lead to jealousy between painters working there, but could also facilitate creativity as painters picked up ideas and techniques from each other.

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A Companion to Chinese Art by Martin J. Powers, Katherine R. Tsiang

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