By Lois Oppenheim
What can neuroscience give a contribution to the psychodynamic realizing of creativity and the mind's eye?
A Curious Intimacy is an cutting edge learn into the interrelation among paintings and neuro-psychoanalysis which considerably narrows the divide among the arts and the sciences.
Situating our seize of the artistic brain in the old context of theories of sublimation, Lois Oppenheim proposes a metamorphosis in paradigm for the research of the artistic strategy, wondering the concept creativity serves, chiefly, the reparation of early item relationships and the answer of clash. The publication is split into elements. half One, Art and the Brain, introduces the sphere of neuro-psychoanalysis and examines the contribution it will possibly make to the dialogue of gender and paintings. half , A New course for Interdisciplinary Psychoanalysis, attracts at the verbal and visible artistry of Samuel Beckett, Paul Klee and Martha Graham to place to the try the proposed new course for utilized psychoanalysis. Lois Oppenheim concludes by means of addressing the way forward for psychoanalysis because it turns into more and more expert through neuroscience and elevating questions about what the neurobiology of emotion and feeling has to inform us concerning the artistic adventure of someone and what may possibly represent a 'neuro-psychoanalytic aesthetics'.
A Curious Intimacy can have nice allure for all these drawn to the examine of mind's eye and creativity. it's going to even be of specific curiosity to scholars around the humanities and sciences and to psychotherapists and psychoanalysts eager to discover the contribution that neuro-psychoanalysis could make to our figuring out of the inventive process.
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Extra info for A Curious Intimacy: Art and Neuro-psychoanalysis
She believed then and continues to believe now that the binary opposition of gender conceals woman’s experience of her sexuality and precludes the inscription of her body in her expressive voice. “Feminine” and “masculine,” in other words, in rendering sexual diﬀerence oppositional, veils distance itself as the real issue at hand. In much of her work, Cixous rejects the words “femininity” and “feminine writing” for their throwback to the masculine. When she does use them, it is only for lack of better terms.
For his part, Solms rejects any notion of cause and eﬀect. Drafting an alternative view of mind, he maintains that the relationship between the brain and conscious experience is one of correlatives. Likening it to the relation of lightning and thunder – lightning does not cause thunder; rather, both lightning and thunder derive from something else – he claims human consciousness to consist in three things: the primary external and internal perceptions referred to earlier and those perceptions of previous experience associated with memory and cognition.
Cixous implored woman to return to the wholeness of her body, that body from which she had been alienated by man: “Write! ” What woman would ﬁnd in writing the body are her maternity (“There is always within her at least a little of that good mother’s milk. ”) and desire. ”18 If, in this and her subsequent writings, Cixous repudiated Freud’s theory of sexuality, in which the penile organ is the referential context of both female psychic development and female anatomy, she did so because it masks the true nature of diﬀerence.
A Curious Intimacy: Art and Neuro-psychoanalysis by Lois Oppenheim