By Gary Indiana
In the summertime of 1962, Andy Warhol unveiled 32 Soup Cans in his first solo exhibition on the Ferus Gallery in Los Angeles—and despatched the artwork global reeling. The responses ran from incredulity to outrage; the poet Taylor Mead defined the exhibition as “a awesome slap within the face to America.” The exhibition positioned Warhol at the map—and reworked American tradition perpetually. virtually single-handedly, Warhol collapsed the centuries-old contrast among “high” and “low” tradition, and created a brand new and substantially sleek aesthetic.In Andy Warhol and the Can that offered the World, the dazzlingly flexible critic Gary Indiana tells the tale of the genesis and influence of this iconic murals. With power, wit, and large perspicacity, Indiana recovers the excitement and controversy of the Pop artwork Revolution and the intense, tormented, and profoundly narcissistic determine at its forefront.
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Andy Warhol and the Can that Sold the World by Gary Indiana